She Sees Beauty in Black Men at Work. She Won’t Apologize for That.

She Sees Beauty in Black Men at Work. She Won’t Apologize for That.

Curated from NYT > Arts > Art & Design — Here’s what matters right now:

Some viewers see the subjects of Karimah Ashadu’s films as victims of capitalism. She says it’s more complicated, and interesting, than that.

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Original reporting: NYT > Arts > Art & Design

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